Description
THIS CLASS CONCENTRATES ON TV STORY AND SCRIPT READING, ALONG WITH MOVIES – since television is booming! Reading TV scripts is a job that didn’t even exist when Peter started teaching this class. But you’ll learn all about how to analyze (and therefore write) great TV story in this up-to-the-minute industry insider class.
Peter’s created a full version of his script reader class for you right here. In this online version, you’ll get all his lectures, along with his handpicked scripts for you to read and analyze, as well as a full ‘audition’ package of script reports you can use when you apply for a job as a Hollywood script reader. Best of all, how to learn how to discern what a great cinematic story is — the fundamental talent you’ll need to break into Hollywood whether as a screenwriter, producer, director, manager or agent.
In this eleven-week course, you learn how to write ‘coverage’ – a report on scripts that every production company uses to determine whether or not to buy a project. As a script reader, you are the gatekeeper – and it’s often the first job a new hire at a company does. This is the ‘secret’ way in for folks who lack professional or family connections into this very difficult to enter business.
You’ll leave class with an ‘audition set’ of three ‘coverages’ — three samples of your work (and from brilliant Hollywood stories) that you will use to audition to get a job for a Hollywood production company – or to get into a cinematic arts summer program at a prestigious film school (see testimonials below.) Or to become a script reader at one of the burgeoning ‘rating script’ services like Black List.
This eleven week course shows you how to write great coverage by using current examples of fantastic TV and film scripts, breaking them down and writing the reports. By the end of this eleven week, guided course, you’ll have a critical edge over folks who ‘fake it till they make it’ when it comes to knowledge of cinematic story, and who won’t have the chops to impress a prospective boss.
This course has also been used by folks already in the business to impress their producer bosses – and gain them an edge that leads to fast promotion inside the production company — and gets them off the front desk and into an associate producer position.
And this eleven week course does more. It also gives you the tools to WRITE a great script – tools that Peter developed over his years as a script reader — tools that Peter used to sell his scripts.
Even better, this class is half the price that you’d pay to take Peter’s university classes.
Simply start the course and work according to YOUR schedule. This class comes to YOU. This is a Self-learning exercise process so there is no need to turn in assignments each week, but simply self-regulate and answer the questions which will teach you to become accustomed to the critical reader analysis process.
WEEK ONE – How Cinematic Story Works – And How To Write Script ‘Coverage’ – Using Real Studio Examples
Watch SICARIO, INTERSTELLAR, CALL ME BY YOUR NAME, SNEAKY PETE (pilot) and GAME OF THRONES (pilot).
WEEK TWO – Finding The Fundamental Hidden Form of Cinematic Story – And Turning It Into A Coverage Synopsis
Watch SHAME, read three excellent Hollywood script coverages from Peter’s private stash.
Week Two Assignment: Turn in your first coverage synopsis (To yourself!) Remember: This is a Self-learning exercise process so there is no need to turn in assignments each week, but simply self-regulate and answer the questions which will teach you to become accustomed to the critical reader analysis process.
WEEK THREE – Learning How To Write Great Comments
WEEK FOUR – Welcome to TV story!
How to write the coverage that shows you understand the secret forms of TV story.
END RESULT: Three audition piece coverages that give you an impressive ‘package’ to seek work. Insiders know that one of the best ways to garner a production company job is to show you know great film and TV story, and can write the ‘coverage’ that forms the backbone of a company’s production.
And you also leap ahead as a scriptwriter!
Here’s what Peter’s students say:
“Good afternoon, Peter! I want to let you know I got into USC’s Cinematic Arts Summer Progam (have you heard of it?) and used the Shame coverage on the application. Right now, I’m debating on taking “The Writers Room: What it’s like to write for Sitcom Comedy Television” OR “Outsiders: Independent Feature Filmmaking & Distribution.” I’m leaning towards “Writers Room,” since it’s more focused on writing, and will help create writing samples for USC for when I apply. I’ll let you know which one I choose! Again, thank you for teaching me coverage skills, which they found impressive.” – Manuel
This course consists of
- Video lectures.
- PDF downloads.
- Weekly assignments (with feedback).
Course Material Availability: 12 months access from your date of purchase.
